![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq2S4J4eHmJGTuZWymF8yC9bFORc2ykSkMKWZsWi6sU0gCjxeGUPkZxGshh_uIJGkRJm5jfjLq0AU8-9XsFh26wrPcXythibgoLjK0TWRdkXvio0-yFLTDXUgiNVxsLsVbccEsvokymsg/s400/1569837282_73b0f46176.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUqtBPUOZz5-jRh93efcLjS_ofB-sjLZRl5yJ8TOdYYjzotoUImx8g-Ttx_L90f16KV8UN6vzYq3ie_3itoISivHPCQ3sBlefJbjr1nOm7mIbiTXsnHg29UiqK4fHkVAAOEpugcO682kc/s400/1569836568_f9e60b3d91.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNZ65HIheaxkzDELTt9bb1raYJH6q-7rZj30W_cOBvqXfgrMpryAEtFVTRmvwNA860Vz3SVnLEN0nkWeg53bAsxLPtrE7z3ulpvF9yMcmqM7UEqmWo3x6jONLYrcX9Ng1HZMeNtqiELyc/s400/1569836192_2b797cea6d.jpg)
Uta Barth's use of altered depths of field and its subsequent blurring, I feel begin to express the notion of vision and learning to see. When we "see" things, we effortlessly assemble many parts to form a seamless whole, her photographs can be read as what it may be like to see without seeing; that is to witness light and colour but to view it without meaning.
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